Geometry of Infinite Mind | Ernest Emery Richards

Ernest Emery Richards (1990) - All life on Earth has developed under the influence of this geomagnetic field which varies in structure and dynamic properties via geomagnetic pulsations. These pulsations are due to the interaction of the plasma waves coming from throughout the Solar System and Cosmos and interacting with the Earth's magnetosphere.

Solar System and Brainwave Frequencies.

When our brain and body rhythms are measured electromagnetically, they are found to occur prominently within what is termed the ELF (extremely low frequency) spectrum and lower. This brainwave spectrum is also divided into band segments, called the alpha (greatest amplitude)(8 to 16 Hz.), beta (16 to 32 Hz.), theta (4 to 8 Hz.), delta (2 to 4 Hz.), and zeta (1 to 2 Hz.), ranging from 32 cycles per second (Hertz) and down below 1 cps (Hz.).

Earth Frequencies.

The measurable presence of these different frequencies seems to indicate changes in individual consciousness. An example might be that a relaxed, attentive state develops strong alpha wave rhythms; these are also the prominent Earth resonant frequency ranges. The theta rhythms are found to occur during the dream period, and also while experiencing a spontaneous creative, intuitive state. The theta frequencies are seen to have strong lunar rhythm harmonics. The Moon has long been associated with our intuitive, creative capacity.

When calculations are performed related to the solar system and the planets, it is found that all of the planets and most of their moons have frequency aspects which fall within our brainwave spectrum. All of the planetary systems have electromagnetic field structures and prominent magnetospheric frequencies. Our home solar system forms a complex, harmonically interrelating, multi-octave musical instrument composed of over forty octaves of vibrational interplay. Your brain/body structure resonates to those continually fluctuating field patterns as they beat against the Earth's, Moon's, and Sun's natural rhythms.

[...] The Earth sets up a pattern of electromagnetic vibrations between its circumference frequency, around 7.5 Hertz (cycles per second) and its radius frequency of 47 Hertz (Hz.). The atmospheric cavity Schumann Resonance spectrum has been measured via electronic detection instruments. This Schumann Resonance, which occurs within the Earth and its surrounding energy field, has immediate impact upon planetary life-forms. When we measure our own brainwave electromagnetic signals, we see displayed these very same Earth vibrations. Since the Earth is very much alive vibrationally, these electromagnetic signals are continually changing and interacting.

A Theory of Astrology | L. Edward Johndro

In the 1930s electrical engineer and astrologer L. Edward Johndro (1882-1951) and astrologer Charles Jayne (1911-1985) simultaneously contributed to the development of the GEM Theory (Gravity, Electrical, Magnetism). In 1929 Johndro presented his Theory of Astrology as follows:

“Tesla demonstrated years ago that the earth is at a relatively constant electrical potential or charge of some seven million volts. It may now be accepted that all material bodies are in a state of relative charge, negative or positive, with respect to each other - man, atoms, earth, planets and stars, and that this manifests as love, cohesion, magnetism or gravitation, or their wholly illusionary opposite (repulse), according as the law manifests in a magnitude series ranging from the microcosm to the macrocosm.

[...] We cannot escape the fact that the earth is a charged body at a potential of millions or volts, nor can we easily escape the conclusion that the other planets are in a state of high charge. While that man is a charged body, with an accompanying electromagnetic field, is easily demonstrated by countless experiments [...] Suns and stars (not planets) are radioactive [...] they emit electromagnetic waves which, because of their exceedingly high frequency, we term light [...] The sun and stars, the planets, the earth, and man upon the earth are charged bodies, and that all their accompanying electromagnetic fields intersect and interact.

[...] The planets reflect light waves and they each, have a different natural frequency of oscillatory response to the solar and stellar light waves which constantly bombard them (consequently their reflected light is variously tinted) and that the phase angles of their field couplings, as their relative movements in space change them, changes the power factor at these frequencies; accept also the fact that these planetary frequencies, being of a far lower order than those of the sun and stars-a mere octave of lower harmonics, since they emit no light of their own, are within the range of man's sensibilities to subconsciously detect and respond to. 

[...] The solar waves continually directly bombard half the earth [...] they are also reflected to the earth by the Moon and planets [...] These waves constantly interact with the earth's electromagnetic field [...] as the inductive couplings of the earth, sun and planets change their mutual angular relations in space.

 

Sun, Moon, Mercury, Venus, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto and Earth each have a surrounding interactive sphere. These spheres have magnetic poles. At the magnetic poles there can be auroral ovals. One auroral oval sits above the attracting magnetically negative pole and the other above the discharging magnetically positive pole. The discharge travels through open space. It follows the path of least resistance and greatest attraction to cover vast distances while creating continuous waves in the yielding dark and cold medium of interplanetary space. The discharge energy from a planet is drawn in by Earth’s magnetic field and enters Earth’s environmental sphere. Some energy is visible light. Some become quarks and hadrons and neutrons and protons, and hydrogen atoms a universal building block that interacts with the nitrogen rich atoms of Earth’s atmospheric environment. Electron beams from interplanetary space hit Earth along a ring shaped oval where cathode rays interact with high speed electrons. This creates an electrical discharge powered by the solar wind that interacts with the magnetosphere. Solar wind and the effects of solar discharges upon the solar wind create a pressurizing mechanism for the continuous auroral flow at the negative (incoming) pole that will contain travelling matter and unique signatures from all of the planets in our solar system. On Earth, the planetary discharges arrive channelled by the magnetic field and are drawn through the negative auroral oval and through electromagnetic commonality and through biophysical processes are acted upon by human beings.

The World Is Sound | Joachim-Ernst Berendt

Joachim-Ernst Berendt (1987) - According to the Law of the Octave the duration of a planet's rotation, that is, the time a celestial body takes to revolve around its own axis and/or the time it needs for one orbit around the Sun, can be transposed into tones and colors. The tones and colors are analogous to rotation and revolution. In order to arrive at the frequency in Hertz (vibrations per second) from an astronomic period, the reciprocal value has to be formed of the duration (expressed in seconds) [...] The Earth, for instance, has a rotation period of 24 hr, or to be more precise, of 23 hr. 56 min, and 4s, totaling 86,164s. If one takes the reciprocal value, that is, divides 1 by this number, a frequency of 0.00001160577 (an inaudible G) is obtained. Though this G is below the hearing range (which starts at about 16 Hz). transposing it by 24 octaves will create an audible G. 

[...] Tones exist, whether we hear them or not. Any music lover knows that a melody can resound within even when it is not being played. A composer hears the music within while notating it and before any sound has been made. For this reason, transposing by octaves is a legitimate process. Even scientists are using it (for instance, to transpose sound of deep sea fish and bats from the ultrasonic range into human audibility or to better understand signals of pulsars and other stars). The octave (1:2) is the most frequent relationship in the universe - not only in music, but anywhere in nature, from the micro- to the macro-cosmos. We use the same names for tones that are octaves apart [...] When a cell divides in mitosis, it chooses the "position" of the octave. The result is the "same cell" again. An octave may vibrate at twice or half the rate (or in powers of two or one-half) but it still is the same tone. It may split the one in two parts or double it, and the result is the same again. Its frequency may be completely different from the basic tone, many Hertz above or below it, but the result is still the same tone again. The octave is the most convincing symbol of unity that we can find in nature. And in nature, it is omnipresent.

[...] Because the Law of the Octave is universal, one can continue transposing by octaves to reach the electromagnetic vibrations of colors. From the tone of the Earth (194.71 Hz) another 36 octaves are required to reach 700.16 Nm (Nanometer), which is analogous to the color of orange-red (also analogous to the tone G and to the rotation of the Earth around the Sun). However, the range of human vision is limited to only one octave compared with the ten octaves of the hearing range [...] The tone of the Earth is the most important tone for all living beings on this planet, whether we leave it inaudible or make it audible by transposing it into higher octaves. It is with this tone that we rise in the morning and go to bed at night; to this tone we do our work, we get hungry, and we love. But other planetary vibrations and tones, especially those of the Sun, the Moon, Venus. Mars, and Jupiter, also vibrate directly into our earthly existence. This is why I call them primordial tones [...] For millions of years, longer and more steadily than any other comparable vibration, the Earth. Sun, Moon, and the planets have been vibrating in cosmic space. Our genes and those of all living beings have experienced these vibrations so often that the processes and mechanisms of genetic programming must have stored them long ago.

[...] The period from Full Moon to Full Moon (the "synodical month") lasts 29 days, 12 hr, 44 min and 2.8s; a total of 2,551,442.8s. In order to transpose the corresponding frequency into the average range of human hearing, we have to transpose it by 30 octaves. The result is a tone of 420.837 Hz (G sharp), a tone of no great importance to our Western music today, but during the Baroque and early Classical periods, it was of major importance. Mozart's tuning fork, for example, had 421.6 Hz. At its pinnacle, Western music was directly connected with the tone of the Moon. Concert pitch started to rise in the middle of the 19th century, striving for the superficial effect of making the music sound brighter. Thus Western music started to turn away from the moon's field of resonance, but the Moon, in all traditions, is responsible for the arts and the artists, being the planet of sensitivity and creativity. In the 20th century, major American symphony orchestras kept raising the concert pitch tone more and more. In doing this, they have banished Western music from its cosmic relationship to the celestial body of the arts and the artists.

[...] The tone of the Sun results from the tropical year lasting 365.242 days or 31,556,926s, and it is C sharp. We can hear it at 136.10 Hz. In Indian classical music, this C sharp is still the fundamental tone. It is called sa or sadja, the "Father of Tones." Bells (e.g., temple bells and gongs) are often tuned to this tone, not only in India but also in Tibet, Japan, and on Bali. The prime word OM, the holiest of mantras, has been chanted to the sa more often than to any other tone. Today classical Indian music remains in a relationship to the Sun, as Western music of the Baroque, Classical and Early Romantic periods was formerly in relationship to the Moon.

 

Quoted from:
Joachim-Ernst Berendt (1987) - Primordial Tones: Meditation on the Archetypal Energies of Celestial Bodies.

See also:
Joachim-Ernst Berendt (1991) - The World Is Sound: Nada Brahma.

 

Sound, Light, Color, Heat = Different Manifestations of Energy.