Esoteric Trumpism │ Constantin von Hoffmeister

For his supporters, Donald Trump is a bulwark of traditionalism and a champion of ‘America First’. For his detractors, he is a disruptive, deceitful agent of chaos. But a more philosophical approach frames him as a key figure in an eldritch struggle with deep-seated forces of decay. Esoteric Trumpism is a profound, almost mystical interpretation of Donald Trump’s political journey, situating him not merely within the framework of contemporary politics but as a figure of cosmic and world-historical significance. This interpretation posits that Trump’s rise and continued influence reflect deeper metaphysical catalysts at play in the twilight of Western civilization, as predicted by the historiographer Oswald Spengler in the 1920s and 1930s.

» Trump’s significance lies not in the man but in the archetype he embodies. « 

According to Spengler’s cyclical theory of history, every great culture passes through stages of growth, flowering, and decline, ultimately transforming into a civilization. A civilization, in Spengler’s view, is the final, ossified stage of a culture – marked by materialism, a dystopian government apparatus, and stagnation – where the original creative spirit has faded. In this phase, democratic institutions begin to decay, leading to the rise of autocratic leaders, or Caesars, who assert their will as the last defenders of the civilization’s final flickers of vitality. Trump, in this narrative, appears as a Caesar of the West, struggling against the forces of chaos and entropy that threaten to engulf the remnants of the culture’s achievements. 

The Swamp, in the context of Esoteric Trumpism, eclipses its conventional political metaphor as a term for entrenched, secretive, and subversive agencies. Instead, it takes on a life of its own, representing a primordial, chthonic entity whose tentacles have reached into the heart of American power. This is no mere political quagmire – it is an ancient force, predating the Republic itself, fueled by what can only be described as eldritch energies. Trump’s wrestle against this dark presence is painted in Lovecraftian tones, where the stakes are not just electoral victories or policy changes but the very soul of the nation. His presidency becomes a metaphysical battle, with Trump cast as a modern hero who, like Spengler’s envisioned Caesars, refuses to capitulate to the rot that envelops his civilization. Each executive order, every political maneuver, is understood as an audacious attempt to dismantle this machinery of the Great Old Ones that has operated unseen for centuries. Trump’s defiance is portrayed as a courageous, almost tragic stand against the inevitable. He fights not for personal gain but to stave off the encroaching darkness that looms over the West.

» Regardless of financial strength, political power and knowledge of previous history life cycles, 

no empire leader has ever been able to prevent its supremacy from collapsing. «

[...] Trump’s economic nationalism and policies aimed at restoring American autarky – through tariffs, immigration controls, and the reduction of global dependencies – are emblematic of a dying civilization’s last effort to preserve itself. Spengler wrote that as civilizations enter their final stages, the state becomes primarily an economic object, with the competition for resources and sovereignty taking precedence over other concerns. Trump’s trade wars with China and his efforts to revive American industry are therefore not merely political strategies but the actions of a Caesar seeking to preserve his people’s material and cultural autonomy in the face of an encroaching global order. These actions reflect the Spenglerian picture of a civilization striving to maintain its vitality, even as it approaches its unstoppable downfall.

[...] Trump’s significance lies not in the man but in the archetype he embodies. The rise of such Caesarian leaders does not promise material success; their triumph is symbolic, not in policies but in their rebellion against a senile and rabid world order. Trumpism, even as Trump’s personal influence fades, will persist as a movement that channels the existential fears of a civilization in freefall, longing for a return to integrity and self-expression. The power of the archetype lies in its resonance with a people alienated by the deep state – Trump articulates their despair, even as his achievements remain modest. His role is to act as the last expression of Western vitality, not to reverse the downward spiral but to embody the final brave spirit of a people grasping for survival in a world disintegrating into frenzied insanity. 

 

Quoted from:

Constantin von Hoffmeister (October 19, 2024) - Why Donald Trump is a mystical figure of historic proportions. 

 

See also:
Constantin von Hoffmeister interviews Alexander Wolfheze (October 11, 2024) - Globus Horribilis. (video)

UFOs Above Nuremberg | Or A Sun Dog

A mass sighting of celestial phenomena or unidentified flying objects (UFO) occurred in 1561 above Nuremberg (then a Free Imperial City of the Holy Roman Empire). This view is mostly dismissed by skeptics, some referencing Carl Jung's mid-twentieth century writings about the subject while others find that the phenomenon is likely to be a sun dog.

 

"In the morning of April 14, 1561, at daybreak, between 4 and 5 a.m., a dreadful apparition occurred on the sun, and then this was seen in Nuremberg in the city, before the gates and in the country – by many men and women. At first there appeared in the middle of the sun two blood-red semi-circular arcs, just like the moon in its last quarter. And in the sun, above and below and on both sides, the color was blood, there stood a round ball of partly dull, partly black ferrous color. Likewise there stood on both sides and as a torus about the sun such blood-red ones and other balls in large number, about three in a line and four in a square, also some alone. In between these globes there were visible a few blood-red crosses, between which there were blood-red strips, becoming thicker to the rear and in the front malleable like the rods of reed-grass, which were intermingled, among them two big rods, one on the right, the other to the left, and within the small and big rods there were three, also four and more globes. These all started to fight among themselves, so that the globes, which were first in the sun, flew out to the ones standing on both sides, thereafter, the globes standing outside the sun, in the small and large rods, flew into the sun. Besides the globes flew back and forth among themselves and fought vehemently with each other for over an hour. And when the conflict in and again out of the sun was most intense, they became fatigued to such an extent that they all, as said above, fell from the sun down upon the earth 'as if they all burned' and they then wasted away on the earth with immense smoke. After all this there was something like a black spear, very long and thick, sighted; the shaft pointed to the east, the point pointed west. Whatever such signs mean, God alone knows. Although we have seen, shortly one after another, many kinds of signs on the heaven, which are sent to us by the almighty God, to bring us to repentance, we still are, unfortunately, so ungrateful that we despise such high signs and miracles of God. Or we speak of them with ridicule and discard them to the wind, in order that God may send us a frightening punishment on account of our ungratefulness. After all, the God-fearing will by no means discard these signs, but will take it to heart as a warning of their merciful Father in heaven, will mend their lives and faithfully beg God, that He may avert His wrath, including the well-deserved punishment, on us, so that we may temporarily here and perpetually there, live as his children. 

For it, may God grant us his help, Amen."

By Hanns Glaser, letter-painter of Nuremberg, 1561.

Quoted from:
Wikipedia (2023) - 1561 Celestial Phenomenon Over Nuremberg.

 

 

 

 

Strange object falls into the crater of Popocatépetl volcano, Mexico (HERE)