Showing posts with label Religion. Show all posts
Showing posts with label Religion. Show all posts

Friday, July 17, 2026

Love Is the Only Religion | The Life of Rumi

He is one of the most widely read and popular poets of all time globally. He wrote primarily in Persian, and also in Arabic, Turkish, and some Greek. And he's been dead for almost 800 years. His name is Jalal ad-Din Muhammad Rumi. And to become the voice millions turned to for love, he first had to lose the person he loved most. This is that story.

Whirling Dervish in Konya, performing the Mevlevi Sema, the sacred Sufi dance where continuous spinning symbolizes the spiritual journey toward divine love.


In 1207, in Balkh—a jewel of the Persian world—a boy is born into a family of immense prestige. His father, Baha al-Din Walad, is a towering theologian and mystic, known as Sultan al-Ulama—the Sultan of the Scholars. The whole city expects greatness from this child. Rumi grows up a prince in a kingdom of knowledge, surrounded by philosophy, theology, and law. His mind is a sword—sharp, brilliant, and disciplined.

Blue Mosque of Balkh. In 1220–1221, Genghis Khan’s forces annihilated the city  in modern-day northern Afghanistan. Despite its peaceful surrender, the Mongols massacred the population and leveled the city's infrastructure. This catastrophic sacking left one of the Silk Road's greatest centers of learning in ruins for over a century.

Then, 
Mongol armies sweep across the land like an apocalypse, reducing entire cities to ash. In 1214, Rumi’s family flees their Transoxianan homeland, refugees with a library on their backs. Early on, he learns his first great lesson: Everything you build can burn. Everything you love can be lost.

» Don't grieve. Anything you lose comes round in another form. «

On the road of exile, in the city of Nishapur, an old poet named Attar, one of the greatest spiritual masters of the age, sees the father walking ahead of his quiet, thoughtful son. Attar gifts the young Rumi a copy of his own mystical epic, the Asrar-Nama (The Book of Secrets), and utters a prophecy: 
 
» Here comes a sea, followed by an ocean. Your son will one day set the hearts of the world on fire. «

Years of wandering follow until in 1228 the family finally settles in Konya, a prosperous sanctuary in Anatolia. Rumi is now 21 years old and his life begins to take root. He marries his childhood love, Gawhar Khatun, and they have two sons. When his father passes away in 1231, Rumi inherits his position as head of the madrasa (theological school). For the next nine years, under the guidance of his father's finest disciple, Sayyid Burhan al-Din, he hones his craft. 
 
» He whose intellect overcomes his desire is higher than the angels. «
 
He masters law, ritual, and complex theology—the outer dimensions of faith. By the time he is 37, Jalal al-Din reaches the pinnacle of worldly and religious success. He is the most celebrated scholar in a city of scholars. His life is a portrait of pious perfection—orderly, respected, and intellectually fulfilled. He builds a fortress of knowledge around himself, a perfect world with no room for doubt. Yet behind his eyes lies an emptiness he cannot name. Admired by many, he feels understood by none.
 
Jalal al-Din Rumi (1207–1273), Persian Sufi mystic, theologian, and poet who spent most of his life in Konya, where his encounter with Shams of Tabriz transformed him from a respected religious scholar into an ecstatic singer of divine love. He is best known for his lyrical Divan-e Shams-e Tabrizi and the didactic Masnavi, and remains one of the world's most widely read spiritual poets, inspiring the Mevlevi "whirling dervish" tradition and cross-cultural seekers centuries after his death. 
» Your son will one day set the hearts of the world on fire. «
  
Suddenly, a wild, 60-year-old wandering dervish walks into his life: Shams of Tabriz. He asks Rumi a single, piercing question: "The great mystic Bayazid once cried out, 'Glory be to me, how magnificent I am!' Yet the prophet Muhammad, peace be upon him, closer to God than any man, confessed, 'We have never known you as you truly deserve to be known.' So tell me, how can this be? Why did the lesser man boast while the greater man bowed?"
  
Baltoro Glacier "river of ice", Karakoram, Pakistan. Tracing ancient Silk Road paths, the 1,300-kilometer Karakoram Highway overcomes extreme altitudes at Khunjerab Pass (4,693m) to connect Pakistan and China, serving today as the economic backbone of regional overland trade.

» As you start to walk on the way, the way appears. «
 
In that instant, Rumi understands: true greatness is not the ego shouting; it is the soul surrendering. The question strikes him so deeply that, legend says, he faints. When he awakens, the rigid professor is gone. He is a seeker. Two oceans meet.

"You are not a drop in the ocean. You are the entire ocean in a drop." Many popular English quotes attributed to Rumi are actually creative reinterpretations by Coleman Barks, who blended separate fragments rather than offering literal translations. These reimagined phrases often obscure the original Persian context, such as the focus on divine love and spiritual, rather than emotional, ecstasy.

» You are not a drop in the ocean. You are the entire ocean in a drop. «

For months, they are inseparable, entering into total seclusion for forty days. In Shams, Rumi finds a mirror of the divine. Shams does not teach Rumi new knowledge; instead, he takes a hammer to the foundations of his identity. The intellect, for all its brilliance, is a cage. 
 
Mount Damavand — dormant stratovolcano, Iran’s highest peak and Asia’s tallest volcano (5,609 m)

» Run from what's comfortable. Forget safety. Live where you fear to live. Destroy your reputation. Be notorious. «
  
The only path to God, Shams insists, is through a heart broken open. Rumi later reflects that what he previously thought of as God, he met that day embodied in a human being. Shams introduces Rumi to the Sama—the whirling dance where the spinning soul sheds the ego and mirrors the turning of the cosmos. The  theologian who once considered music a distraction is now lost in it.
 
» We have come to spin, to revolve around the Sun of Truth and fly into the sky of the heart. «
 
The brilliant scholar has finally become a lover of God, of life, of everything. But to Rumi’s followers, this is a scandal. Whispers of slander turn to poison, and jealousy fills the air of Konya. Unable to bear the hostility, Shams flees to Damascus in 1246, plunging Rumi into a grief like death. Though Rumi sends his son, Sultan Walad, to beg his soul-friend to return, the reunion is tragically brief. One night, Shams is called to the door, steps outside, and vanishes from the face of the earth forever—brutally murdered, some say, by a cabal of jealous disciples.

Shams of Tabriz (c. 1185–1248), Persian Sufi mystic and wandering dervish, renowned as the spiritual mentor and beloved companion of Jalal al-Din Rumi, whose encounter with him transformed Rumi from a scholar into an ecstatic poet of divine love. Born in Tabriz and later disappearing under mysterious circumstances, Shams is immortalized in Rumi's collection Divan-e Shams-e Tabrizi and revered as the hidden "sun" behind much of Rumi's poetry.
» Why did the lesser man boast while the greater man bowed? «
 
Shattered by loss, Rumi does something no one expects. He begins to spin. Arms open to the sky, weeping and turning for hours, letting go of the ego to mirror the cosmos. His grief becomes a prayer in motion: the Sama, marking the birth of the Whirling Dervishes.

»  Dance when you're broken open. Dance if you've torn the bandage off. «

Then, the words come—not calculated, but pouring. Thousands upon thousands of verses erupt from his broken heart into an ocean of poetry, which he collects as the Divan-i Shams-i Tabrizi (The Collected Poems of Shams of Tabriz). He isn't composing poetry; he is bleeding it.
 
Calligram of a Mevlevi whirling dervish formed from densely layered Arabic calligraphy in which the primary legible nucleus is عِشْق (ʿishq, “divine love”), repeated, expanded, and interwoven with related fragments such as هو (Hu, “He,” the Divine Essence) and likely partial forms of الله (Allāh), alongside suggestive constructions like عشق هوى (“love as passion/desire”) and vocative particles like يا; the text is not meant to be read linearly but operates as a continuous dhikr field where words are rotated, fragmented, and redistributed to generate semantic intensity rather than syntactic clarity, while the dervish silhouette itself symbolizes fanāʾ (annihilation of the self in divine love) and the red accents—hat and ground—evoke transformed ego, sacrifice, and ecstatic intensity; thus the work functions not as a sentence but as a visual-theological construct whose conceptual translation compresses to “Divine Love—He; all is subsumed and dissolved in Love,” classifiable as modern ḥurūfī Sufi calligram with a non-linear, radial text structure designed as visual remembrance centered entirely on ʿishq as the totalizing metaphysical principle.

»  
Let yourself be silently drawn by the strange pull of what you really love. «

In his later years, Rumi begins his masterpiece, the Masnavi (The Spiritual Couplets), a vast six-volume epic of 25,000 verses that he composes aloud and continues until his death. Rather than writing it himself, he dictates the verses spontaneously—often while walking, bathing, or dancing—while his disciple, Husam al-Din Chalabi, records every word. He introduces the Masnavi as usul usul usul al-din—"the roots of the roots of the roots of the Religion." 
 
» I searched for God and found only myself. I searched for myself and found only God. « 
  
He defines it as kashshaf al-Qur'an, an expounder of the Quran, intentionally written in the Persian tongue to unveil the text's hidden mystical meanings for ordinary people who could not read the original ArabicA work people would one day call the Quran in the Persian tongue. His message was radical then, and it remains radical now: Love is the only true religion (مذهبِ عشق - madhhab-i 'ishq). Christian, Muslim, Jew—he welcomed them all.
 
»  Come, come, whoever you are. Wanderer, worshipper, lover of leaving. It doesn't matter. Come. «

Complex geometry of the dome ceiling at the tomb of iconic poet Hafez of Shiraz (1315–1390), Iran. The structure exemplifies classical Persian girih tilework, an advanced mathematical system composed of interlacing star and polygon motifs. Through this precise configuration, the architectural design masterfully articulates spatial depth and structural symmetry, reflecting the sophisticated artistic standards of Islamic monumental architecture.
 
When he dies in 1273, his city weeps, but he had asked them to celebrate. He called his death his Urs—his wedding night, the moment his soul finally reunites with the Divine. At his funeral, people of every faith walk together in mourning.
 
»  When I die, don't look for me in the ground. Look for me in the hearts of those who loved me. «

Circular calligraphy on the interior dome of the 16th-century Selimiye Mosque in Edirne, Turkey, designed under chief Ottoman architect Mimar Sinan. The central medallion features the verses of Surah Al-Ikhlas (The Purity, chapter 112 of the Quran)—proclaiming "Say, 'He is Allah, [who is] One. Allah, the Eternal Refuge. He neither begets nor is born, nor is there to Him any equivalent'"—intertwined in the elegant Jali Thuluth script and arranged in a precise radial pattern that spreads symmetrically across the ceiling.

» You were born with wings, why prefer to crawl through life? «
 
Eight centuries later, his words are everywhere—read at weddings, quoted by presidents, and whispered by broken hearts across every continent. The refugee boy who lost everything became the voice of love for the entire world. Because Rumi lived the truth he taught: that even a shattered heart can become a doorway to the light.
 
نگفتمت مرو آنجا که آشنات منم در این سراب فنا چشمهٔ حیات منم  وگر به خشم روی صدهزار سال ز من به‌ عاقبت به من آیی که منتهات منم  نگفتمت که به نقش‌ جهان مشو راضی که نقش‌بند سراپردهٔ رضات منم  نگفتمت که منم بحر و تو یکی ماهی مرو به خشک که دریای با صَفات منم  نگفتمت که چو مرغان به‌ سوی دام مرو بیا که قدرت پرواز و پرّ و پات منم  نگفتمت که تو را ره‌ زنند و سرد کنند که آتش و تبش و گرمی هوات منم  نگفتمت که صفت‌های زشت در تو نهند که گم کنی که سرِ چشمه صفات منم  نگفتمت که مگو کار بنده از چه جهت نظام گیرد؟ خلّاق بی‌جهات منم  اگر چراغ دلی، دان که راه خانه کجاست وگر خداصفتی، دان که کدخدات منم

Ocean and Fish
  
» Didn't I tell you? Do not go there, for I am your friend
In this mirage of fading shadows, I am life without end

Even if you run in anger for a hundred thousand years
You will return to Me at last, I am where the path clears

Didn't I tell you? I am the Ocean, and you are the fish
Don't go to the dry land, I am the only Water you could wish

Didn't I tell you? Don't be fooled by the world's design
I am the Painter of your joy, the Artist of the divine

Didn't I tell you? Do not fly like a bird to the snare
Come back to Me, I am your Wings, I am the power of the air

Didn't I tell you? They will rob you and leave you cold
But I am the Fire, the warmth of your soul
 
As I foretold, they put ugly masks upon your face to make you forget
that I am the Source of beauty, the purest love you met

Don't ask how the stars align or how the world is spun
I am the Creator without limits, I am the Only one

If you are the lamp of the heart, you know where to roam
And if you seek the Divine, know that I am your Home
 «

Rumi, Konya, 645 AH/1247 AD.

وَأَنَّ اللَّهَ قَدْ أَحَاطَ بِكُلِّ شَيْءٍ عِلْمًا ...and that Allah has encompassed all things in knowledge, Surah At-Talaq (The Divorce, verse 12, chapter 65 of the Quran).

Sunday, February 1, 2026

The Science Delusion: Freeing the Spirit of Inquiry | Rupert Sheldrake

The science delusion is the belief that science already understands the nature of reality in principle, leaving only the details to be filled in. This is a very widespread belief in our society; it is the belief system of people who say, "I don't believe in God, I believe in science." It is a belief system which has now been spread to the entire world. 

 » Why shouldn't the laws of nature themselves evolve? «
 
However, there is a conflict at the heart of science between science as a method of inquiry based on reason, evidence, hypothesis, and collective investigation, and science as a belief system or a worldview. Unfortunately, the worldview aspect of science has come to inhibit and constrict the free inquiry which is the very lifeblood of the scientific endeavor.

Since the late nineteenth century, science has been conducted under the aspect of a belief system or a worldview which is essentially that of materialism—philosophical materialism. The sciences are now wholly owned subsidiaries of the materialist worldview. Essentially, today, there are ten dogmas, which constitute the worldview of most educated people: 
 
Dogma one: Nature is mechanical or machine-like. The universe is like a machine, animals and plants are like machines, and we are like machines. In fact, we are machines; we are "lumbering robots," in Richard Dawkins’ vivid phrase, with brains that are genetically programmed computers. 
 
Dogma two: Matter is unconscious. The whole universe is made up of unconscious matter. There is no consciousness in stars, in galaxies, in planets, in animals, or in plants, and there ought not be in any of us either, if this theory is true. Consequently, a great deal of the philosophy of mind over the last hundred years has been trying to prove that we are not really conscious at all.

Dogma three: If matter is unconscious, then the laws of nature must be fixed. They are the same now as they were at the time of the Big Bang, and they will be the same forever. Not just the laws, but the constants of nature are fixed, which is why they are called constants. 
 
Dogma four: The total amount of matter and energy is always the same. It never changes in total quantity, except at the moment of the Big Bang when it all sprang into existence from nowhere in a single instant. 
 
Dogma five: Nature is purposeless. There are no purposes in all nature, and the evolutionary process has no purpose or direction. 
 
Dogma six: Biological heredity is material. Everything you inherit is in your genes, or in epigenetic modifications of the genes, or in cytoplasmic inheritance. It is material. 
 
Dogma seven: Memories are stored inside your brain as material traces. Somehow, everything you remember is in your brain in modified nerve endings or phosphorylated proteins; no one knows how it works, but nevertheless, almost everyone in the scientific world believes it must be in the brain.

Dogma eight: Your mind is inside your head. All your consciousness is the activity of your brain, and nothing more. 
 
Dogma nine: Psychic phenomena like telepathy are impossible. Your thoughts and intentions cannot have any effect at a distance because your mind is inside your head. Therefore, all the apparent evidence for telepathy and other psychic phenomena is illusory. People believe these things happen, but it is just because they do not know enough about statistics, they are deceived by coincidences, or it is wishful thinking. 
 
Dogma ten: Mechanistic medicine is the only kind that really works. That is why governments only fund research into mechanistic medicine and ignore complementary and alternative therapies. Those cannot possibly really work because they are not mechanistic. They may appear to work because people would have recovered anyway or because of the placebo effect, but the only kind that really works is mechanistic medicine.

This is the default worldview held by almost all educated people all over the world. It is the basis of the educational system, the national health service, the medical research council, and governments. But I think every one of these dogmas is very, very questionable, and when you look at them, they fall apart.
 
 » Give us one free miracle, and we'll explain the rest. «
 
Let's first look at the idea that the laws of nature are fixed (Dogma three). This is a hangover from an older worldview prior to the 1960s, before the Big Bang theory came in. People thought the whole universe was eternal, governed by eternal mathematical laws. When the Big Bang theory was accepted, that assumption continued, even though the Big Bang revealed a universe that is radically evolutionary—about fourteen billion years old, growing, developing, and evolving. It has been growing and cooling, with more structures and patterns appearing within it, yet the idea remains that all the laws of nature were completely fixed at the moment of the Big Bang like a cosmic Napoleonic Code. As my friend Terence McKenna used to say, modern science is based upon the principle, "Give us one free miracle, and we'll explain the rest." The one free miracle is the appearance of all the matter and energy in the universe and all the laws that govern it, from nothing, in a single instant.

Well, in an evolutionary universe, why shouldn't the laws themselves evolve? After all, human laws do, and the idea of "laws of nature" is based on a metaphor with human laws. It is a very anthropocentric metaphor; only humans have laws—in fact, only civilized societies have laws. As C.S. Lewis once said, to say that a stone falls to earth because it is obeying a law makes it a man, and even a citizen. It is a metaphor we have become so used to that we have forgotten it is a metaphor. In an evolving universe, I think a much better idea is the idea of habits. I think the habits of nature evolve; the regularities of nature are essentially habitual. This was an idea put forward at the beginning of the twentieth century by the American philosopher C.S. Peirce; it is an idea which various other philosophers have entertained, and it is one which I myself have developed into a scientific hypothesis: the hypothesis of Morphic Resonance, which is the basis of these evolving habits.

» Everything depends on evolving habits, not on fixed laws. «
 
According to this hypothesis, everything in nature has a kind of collective memory; resonance occurs on the basis of similarity. As a young giraffe embryo grows in its mother’s womb, it tunes in to the morphic resonance of previous giraffes. It draws on that collective memory, grows like a giraffe, and behaves like a giraffe because it is drawing on this collective memory. It has to have the right genes to make the right proteins, but genes, in my view, are grossly overrated. They only account for the proteins that the organism can make, not the form, the shape, or the behavior. Every species has a kind of collective memory. Even crystals do. This theory predicts that if you make a new kind of crystal for the first time, it won't have an existing habit. But once it crystallizes, then the next time you make it, there will be an influence from the first crystals to the second ones, all over the world by morphic resonance; it will crystallize a bit easier. The third time, there will be an influence from the first and second crystals.

There is, in fact, good evidence that new compounds get easier to crystallize all around the world, just as this theory would predict. It also predicts that if you train animals to learn a new trick—for example, if rats learn a new trick in London—then all around the world, rats of the same breed should learn the same trick quicker just because the rats had learned it here. Surprisingly, there is already evidence that this actually happens. Anyway, that is my own hypothesis in a nutshell: morphic resonance. Everything depends on evolving habits, not on fixed laws.
 
 » These dogmas have held back science for so long. «

I want to spend a few moments on the constants of nature, because these are, again, assumed to be constant. Things like the gravitational constant or the speed of light are called the fundamental constants. Are they really constant? When I got interested in this question, I tried to find out. They are given in physics handbooks, which list the existing fundamental constants and tell you their value. But I wanted to see if they had changed, so I obtained old volumes of physical handbooks. I went to the Patent Office library here in London—the only place I could find that old volumes. Normally, people throw them away when the new volumes come out. When I did this, I found that the speed of light dropped between 1928 and 1945 by about twenty kilometers per second. It is a huge drop, especially since they are given with errors of only tiny fractions of a decimal point. Yet, all over the world, it dropped, and researchers were all getting very similar values to each other with tiny errors. Then, in 1948, it went up again, and people started getting very similar values once more.

I was very intrigued by this and could not make sense of it, so I went to see the Head of Metrology at the National Physical Laboratory in Teddington. Metrology is the science in which people measure constants. I asked him about this drop in the speed of light between 1928 and 1945. He said, "Oh dear, you've uncovered the most embarrassing episode in the history of our science." I asked, "Well, could the speed of light have actually dropped? That would have amazing implications if so." He replied, "No, no, of course it couldn't have actually dropped. It's a constant!" I said, "Oh, well then how do you explain the fact that everyone was finding it going much slower during that period? Is it because they were fudging their results to get what they thought other people should be getting, and the whole thing was just produced in the minds of physicists?" He said, "We don't like to use the word 'fudge'." I asked, "Well, so what do you prefer?" He said, "Well, we prefer to call it 'intellectual phase-locking'."

 » Of course it couldn't have actually dropped. It's a constant! «
 
I then asked, "Well, if it was going on then, how can you be so sure it's not going on today? And that the present values produced are not by intellectual phase-locking?" He said, "Oh, we know that's not the case." I asked, "How do we know?" He replied, "Well, we've solved the problem." I asked how, and he said, "Well, we fixed the speed of light by definition in 1972." I said, "But it might still change." He replied, "Yes, but we'd never know it, because we've defined the meter in terms of the speed of light, so the units would change with it!" He looked very pleased about that; they had fixed that problem.

But then I asked, "Well, what about Big G?" The gravitational constant, known in the trade as "Big G," Newton's universal gravitational constant. That has varied by more than 1.3% in recent years, and it seems to vary from place to place and from time to time. He said, "Oh well, those are just errors. And unfortunately, there are quite big errors with Big G." I suggested, "Well, what if it's really changing? I mean, perhaps it is really changing." When I looked at how they do it, I found that they measure it in different labs, get different values on different days, and then they average them. Other labs around the world do the same, usually coming out with a rather different average. Then the International Committee of Metrology meets every ten years or so and averages the results from labs all around the world to come up with the value of Big G.

» This week, Big G was slightly up, the speed of light held steady. «
 
But what if G were actually fluctuating? What if the Earth, as it moves through the galactic environment, went through patches of dark matter or other environmental factors that could alter it? Maybe they all change together. What if these errors are going up and down together? For more than ten years, I have been trying to persuade metrologists to look at the raw data. In fact, I am now trying to persuade them to put it up online, on the internet, with the dates and the actual measurements, to see if they are correlated—to see if they are all up at one time and all down at another. If so, they might be fluctuating together, and that would tell us something very, very interesting. But no one has done this; they haven't done it because G is a constant, so there is no point looking for changes. Here is a very simple example of where a dogmatic assumption actually inhibits inquiry. I, myself, think that the constants may vary quite considerably, albeit within narrow limits. I think the day will come when scientific journals like Nature have a weekly report on the constants, like stock-market reports in the newspapers: "This week, Big G was slightly up, the charge on the electron was down, the speed of light held steady," and so on.

» What you are seeing is inside your mind, but not inside your head. «
 
That is one area where I think thinking dogmatically could open things up. One of the biggest areas, however, is the nature of the mind. This is the most unsolved problem; science simply cannot deal with the fact that we are conscious. It cannot deal with the fact that our thoughts do not seem to be inside our brains (Dogmas seven and eight). Our experiences do not all seem to be inside our brain. Your image of me now does not seem to be inside your brain, yet the official view is that there is a little Rupert somewhere inside your head, and everything else in this room is inside your head—your experience is inside your brain. I am suggesting, actually, that vision involves an outward projection of images; what you are seeing is inside your mind, but not inside your head. Our minds are extended beyond our brains in the simplest act of perception. 
 
I think that we project out the images we are seeing, and these images touch what we are looking at (Dogma nine). If I look at you from behind, you don't know I'm there—or do you? Could I affect you? Could you feel my gaze? There is a great deal of evidence that people can. The sense of being stared at is an extremely common experience, and recent experimental evidence actually suggests it is real. Animals seem to have it too. I think it probably evolved in the context of predator-prey relationships. Prey animals that could feel the gaze of a predator would survive better than those that could not. This would lead to a whole new way of thinking about ecological relationships between predators and prey, and also about the extent of our minds. If we look at distant stars, I think our minds reach out, in a sense, to touch those stars and literally extend out over astronomical distances. They are not just inside our heads. Now, it may seem astonishing that this is a topic of debate in the twenty-first century. We know so little about our own minds that where our images are located is a hot topic of debate within consciousness studies right now.

» Our minds extend over astronomical distances. «
 
I do not have time to deal with any more of these dogmas, but every single one of them is questionable. If one questions them, new forms of research and new possibilities open up. I think as we question these dogmas that have held back science for so long, science will undergo a reflowering, a renaissance. I am a total believer in the importance of science; I have spent my whole life and my whole career as a research scientist. And I think that as we break out of these dogmas, the sciences will be regenerated. 

Rupert Sheldrake (b. 1942) is a British biologist and author. He earned his Ph.D. in biochemistry from the University of Cambridge and conducted research in plant physiology at institutions including the University of Cambridge and the International Crops Research Institute for the Semi-Arid Tropics in India. Sheldrake is known for proposing the theory of morphic resonance, which suggests that natural systems inherit a collective memory through morphic fields. A practicing Anglican, he has authored several books, including "A New Science of Life" (1981) and "The Science Delusion" (2012/2020), and continues to lecture and write on topics in science and philosophy.